Teaching
In Search of the Rudis
This article was originally posted at http://www.puckandmary.com/blog_puck/2014/06/in-search-of-the-rudis/. It has been re-posted here, with permission from the author, Puck Curtis, with our thanks. ——— Like many of the stories of my life, this one should start with me being a fool. It was WMAW and assembled there were a collection of instructors trained through Maestro William Gaugler’s […]
Stable, Striking and Mutable: Fighting from the Guards of L’Arte dell’Armizare
“I am the sword and I am lethal against any weapon; lances, axes and dagger are worthless against me. I can become extended or withdrawn; when I get near the opponent I can enter into close play, perform disarms and abrazare. My art is to turn and to bind; I am expert in defense and […]
Memory and Performance: Visual and Rhetorical Strategies of Il Fior di Battaglia
(First presented at the Renaissance Society of America’s Venice conference in 2010. Presented also as part of an academic session followed by an armoured combat demonstration, organized by Dr. Regina Pskai, at the American Association for Italian Studies conference at University of Oregon, 2013) This paper is part of a larger study on medieval and Renaissance martial arts manuscripts, […]
Why you should train with sharp swords, and how to go about it without killing anyone.
Swords are, by definition, sharp. Anything sword-like that is not sharp is either a foil, or a percussive weapon like a club. I am a swordsman, and so I use sharp swords. Do I let my beginner students fight each other (or even handle) sharps? No, of course not. But my senior students have done […]
Tempo, Vor, Nach & Indes
Quotes from the Von Danzig commentaries are from In Saint George’s Name: An Anthology of Medieval German Fighting Arts, by Christian Tobler, published by Freelance Academy Press. Quotes from Fior di Battaglia are from Fior di Battaglia, 2nd English Edition, by Tom Leoni, published by Freelance Academy Press. Quote from Filippo Vadi from Arte Gladiatoria […]
From Drills to Free Play: Putting Practice into Practice (Part II)
Bill Grandy, Director of Historical Swordsmanship at the Virginia Academy of Fencing In Part I of this article we explored a few variations of drills to help develop both tactical proficiency as well as fluidity between actions under pressure. Those drills allowed more dynamism than static drills, and yet they are still a step apart […]
Switching Between Systems
One of the benefits to having produced things like my books and the syllabus wiki is that they provide a service to a vastly wider range of students than I can possibly train in person, who consequently ask me a wider range of questions, forcing me to think about things differently. One such example is this from Javier Andrés […]
Developing Tactical Skills at Longsword
Strategy differs materially from tactic; the latter belonging only to the mechanical movement of bodies, set in motion by the former.– Charles James, A New and Enlarged Military Dictionary (1810) Before hostile armies or fleets are brought into contact (a word which perhaps better than any other indicates the dividing line between tactics and strategy), […]
Reconstructing a Martial Lineage; not Resurrecting the Dead
What is the Goal of Historical European Swordsmanship? by Gregory Mele, Chicago Swordplay Guild (c) 2012 Historical European Swordsmanship (HES) is a subset of Western martial arts, in most cases referring to reconstructed martial arts (the notable exception being classical fencing). There is a meme in the HES community that those who practice HES “study Fiore” or “do […]
From Drills to Free Play: Putting Practice into Practice (Part I)
Bill Grandy, Director of Historical Swordsmanship at the Virginia Academy of Fencing So you’re a student of Historical European Martial Arts. You’ve read your historical fencing treatises dozens of times. Your guards are perfect, and you’ve practiced your attacks and counters so often that you could do them asleep. Despite all of your practice, though, […]
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